aka Saagar
1985 215’ col/scope Hindi
d Ramesh Sippy pc United Producers, Sippy
Films p G.P. Sippy s/lyr Javed Akhtar
c S.M. Anwar m R.D. Burman
lp Rishi Kapoor, Kamalahasan, Dimple
Kapadia, Nadira, Saeed Jaffrey, Madhur
Jaffrey, A.K. Hangal, Shafi Inamdar
Sippy pays homage to Raj Kapoor’s Bobby
(1973) in recasting its famous teenaged lead
pair while celebrating Dimple Kapadia’s return
to films. Set in a coastal fishing community,
Raja (Kamalahasan) loves childhood
sweetheart Mona (Kapadia), but she falls for
Ravi (Kapoor), heir to the industrial house
controlled by his autocratic grandmother
(M. Jaffrey, noted author of Indian cookbooks).
The family’s trawler business is set to ruin the
fisherfolk, mapping a love triangle onto class
differences. In the end, Raja sacrifices himself.
Kamalahasan, in his last major film appearance
in a Bombay-production, often quotes Chaplin
in a tragi-comic performance.
Samandaram
aka Parallel
1985 117’ col Malayalam
d/sc John C. Shankaramangalam pc Sudarshan
st Ms M. Shankaramangalam c Prabhat Parida,
Santosh Sivan m Jerry Amaldev
lp Soorya, Babu Namboodiri, Sai Das, Balan K.
Nair, T.R.K. Menon, Mathews, Leela Panicker
A film by the dean of the FTII warning against
student romances. The university student Susan
notices disturbing signs of cowardice in her
boyfriend Jose but marries him anyway. He
turns into a brutal business executive and a
wife-beater. The husband’s deterioration is
further emphasised in contrast with communist
radical Mohan, Susan’s former hero. After
suffering her husband’s brutalities as long as
she can bear, she finally plucks up the courage
to to films. Set in a coastal fishing community,
Raja (Kamalahasan) loves childhood
sweetheart Mona (Kapadia), but she falls for
Ravi (Kapoor), heir to the industrial house
controlled by his autocratic grandmother
(M. Jaffrey, noted author of Indian cookbooks).
The family’s trawler business is set to ruin the
fisherfolk, mapping a love triangle onto class
differences. In the end, Raja sacrifices himself.
Kamalahasan, in his last major film appearance
in a Bombay-production, often quotes Chaplin
in a tragi-comic performance.
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