Cinema Paradiso (1990)

 ●  English ● 2 hrs 35 mins

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A fatherless, movie-mad Sicilian boy befriends the village's ageing projectionist, Alfredo (Philippe Noiret). Years later he returns for Alfredo's funeral.

Cast: Antonella Attili, Enzo Cannavale

Crew: Giuseppe Tornatore (Director), Blasco Giurato (Director of Photography), Ennio Morricone (Music Director)

Genres: Drama

Release Dates: 23 Feb 1990 (India)

Tagline: A celebration of youth, friendship, and the everlasting magic of the movies.

Movie Rating
Based on 1 rating
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Did you know? Italy once (by the end of 1956) had the largest network of cinemas in the whole of Europe. A total of 17,000. This was the highest ever reached in around that time. Read More
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as Maria Di Vita - Younger
as Spaccafico
as Elena Mendola
as Anna
as Usher
as Father Adelfio
as Salvatore 'Totò' Di Vita - Teenager
as Village Idiot
as Peppino's Father
as Maria Di Vita - Older
as Lia
as Salvatore 'Totò' Di Vita - Child
as Blacksmith

Direction

Assistant Director

Writers

Screenplay Writer
Story Writer

Camera and Electrical

Director of Photography

Music

Music Director

Sound

Sound Mixer
Foley Artist
Boom Operator

Animation

Animator

Art

Production Designer

Costume and Wardrobe

Costume Designer

Editorial

Editor

Makeup and Hair

Makeup Artist

Special Effects

Special Effects Coordinator
Special Effects Technician
Film Type:
Feature
Language:
English
Colour Info:
Color
Sound Mix:
Dolby
Frame Rate:
24 fps
Aspect Ratio:
2.35:1
Stereoscopy:
No
Taglines:
A celebration of youth, friendship, and the everlasting magic of the movies.
Trivia:
In the month of December 2013, the movie had a 25th anniversary re-release for Guiseppe Tornatore's love letter to cinema, that is now accepted as a modern classic but was rejected by Italian audiences when it first opened back in the late 1988s.

Italy once (by the end of 1956) had the largest network of cinemas in the whole of Europe. A total of 17,000. This was the highest ever reached in around that time.

Director Giuseppe Tornatore's intention was that this film should serve as an obituary for traditional movie theatres (like the one on the film) and the movie industry in general. After the movie's success he never mentioned this again.